I am one of the few people who actually enjoyed the post apocalyptic movie “The postman”. Kevin Costner second and (I am being gentle) less successful attempt at producing, directing and starring in a movie was an interesting experience for me for some reason and I saw it four or five times. James Newton Howard wrote the score and this time the critics were silenced…
“The postman” is a score constructed in the Hans Zimmer 90s way: a few very long tracks. Except the main titles we get an average of almost 7 minutes per cue. The themes have time to form and develop. The movie is three hours long and the music burns the same way. This is a story about a lonely drifter in a post apocalyptic world and you can almost feel the dust in your throat when you listen to the score. Then it gets all heroic and there aren’t many scores where James Newton Howard gets heroic (Wyatt Earp is the other one that comes to mind).
“The postman” is a composition to get lost in. To me, it’s the equivalent in JNH’s career of “Crimson tide”: it takes a while to love it, you don’t know right away why you get so addicted to it but you find yourself unable to stop it or get out from under its spell. There are moments when this score gets sweeping and emotional and other times when it’s all about the atmosphere it sets. “The postman” is melodic and sensitive even in its moments of revolt. James Newton Howard does epic rarely, but when he does it is memorable. There are parts in “General Bethlehem” and “Abby comes calling” that give me goose bumps. “The restored United States” is a magnificent and epic action cue that you will never forget. Each of these long themes is a journey in itself and each listener might get something different from it.
For me, “The postman” is the most special James Newton Howard score of the 1990s. It is a sound to which he didn’t return very often and this makes this score even more precious. This is James Newton Howard at his most James Horner like moment. Heroic, beautiful and emotional “The postman” will be a rewarding listen for anyone.
Cue rating: 94 / 100
Total minutes of excellence: 41 / 50
Album excellence: 82%
The Belly of the Beast
Abby Comes Calling
The Restored United States